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Chime​̀​res (pour ondes Martenot)

by Christine Ott

  • Record/Vinyl + Digital Album

    Includes unlimited streaming of Chimères (pour ondes Martenot) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      €19 EUR or more 


  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €7 EUR  or more


Comma 06:11
Darkstar 05:05
Todeslied 08:51
Mariposas 03:37
Sirius 05:50
Pulsar 02:28
Eclipse 08:11
Burning 06:45






"In this unprecedented album, entirely conceived using only the legendary instrument Ondes Martenot, the composer Christine Ott tells a cosmic journey with cinematographic colours, which rubs shoulders with electronic stars and caresses incandescent planets. A sonic and sensual magma produced by Paul Régimbeau (Mondkopf) & Frédéric D. Oberland (Oiseaux-Tempête), radiant, as if weightless."

The future is in the past. Almost a century since their invention by Maurice Martenot in France at the beginning of the 1920s, the Ondes Martenot have shaken contemporary music by inviting the electronic and electrical fairies to the ball of – then acoustic – instruments of the repertoire. Remnants of a pivotal period in the discovery of new sound tools, little known to the general public unlike the theremin, the Ondes Martenot are nevertheless one of the very first monophonic and experimental synthesizers in history, combining electronics and mechanics with artistic lutherie making: an exceptional instrument offering its very rare players an infinite range of timbres, textures and sound research.

Consecrated by the avant-garde composers Olivier Messiaen, Edgard Varèse, André Jolivet, Tristan Murail, Giancito Scelsi or Bernard Parmegiani, the mysterious and sensitive vibrations of the Ondes Martenot have migrated throughout the 20th century in popular music (Léo Ferré, Brian Ferry, Tom Waits, Radiohead, Daft Punk...), as well as in the cinema where their palette of sounds that can be shaped to infinity and their often very expressive playing (close to the human voice or the cello) have bewitched science fiction and certain dreamlike dramas (Fantomas, Lawrence of Arabia, Ghostbusters, Mars Attacks!, Amélie, 35 Rhums, There Will Be Blood, Minute Bodies...). Present on numerous recordings of the classical/contemporary repertoire, having narrowly escaped oblivion at the death of their inventor in 1980, the Ondes Martenot had never before been used solo on a whole album of contemporary music.

Chimères (pour Ondes Martenot) was born out of the desire of NAHAL Recordings and Christine Ott (virtuoso ondist and multi-instrumentalist teaching at the Strasbourg Conservatory) to offer an unprecedented album, entirely conceived using only her Ondes Martenot. If Christine Ott has often accompanied other musicians on Ondes Martenot (Yann Tiersen, Tindersticks, Raphelson, Dominique A, Syd Matters, Oiseaux-Tempête, FOUDRE!...), it is the first time that she decides to place her strange instrument at the center of her compositions, entrusting the musical production to Paul Régimbeau (Mondkopf) and Frédéric D. Oberland (Oiseaux-Tempête) manipulating the original sound waves live via effect boxes and sonic modulations external to the instrument. A solo album made with several hands that plunges the precious matrix, via a current repertoire half composed/half improvised, in the prism of the last hundred years of experimental music, electronic culture and habitus to synthetic sounds.

Christine Ott's eight Chimeras are like snatches of distant dreams, whispers of ghosts, echoes of rustle and symphonies that once inhabited the instrument, seeming to have travelled through the ages without losing their power and relevance. The composer Christine Ott tells a cosmic journey with cinematographic colours, which rubs shoulders with electronic stars and caresses incandescent planets. A nebula of layers of waves superimposed and triturated by effects that make her songs sometimes robotic, sometimes celestial. A sonic and sensual magma, radiant, as if weightless.

The original chemigrams illustrating the cover have been made by contemporary artist Fanny Béguély by painting with chemicals on old photosensitive sheets of paper, while listening to the tracks on the record.

℗ & © NAHAL Recordings - all rights reserved

Release Date: 
April 7th 2020
Format: LP Vinyl / Digital


released May 22, 2020

All music composed & performed on Ondes Martenot Dierstein by Christine Ott

Effects and live processing by Frédéric D. Oberland & Paul Régimbeau // Recorded & mixed by Romain Poirier at Mer Noir, Paris, between Winter 2018 and Autumn 2019
 // Edited, arranged & produced by Paul Régimbeau
 & Frédéric D. Oberland // Mastered by James Plotkin
 // Original chemigrams artwork by Fanny Béguély // Graphic design by Thibault Proux

Special thanks to Jean-Loup Dierstein, Mathieu Gabry, Lorraine Bouchet, Renaud de Foville, Julie Gamberoni.

THE GUARDIAN (UK) 'Strasbourg-based pianist Christine Ott is one of the world’s foremost exponents of this curious instrument. After playing it in Yann Tiersen’s band for a while, she recently released Chimères, a dark and haunting album of electronica recorded using multi-tracked ondes Martenots'

POPMATTERS (USA) 'Christine Ott brings the ondes Martenot to new heights with the mesmerizing Chimères.'

A CLOSER LISTEN (USA) - 'Christine Ott champions the Ondes Martenot, an instrument that is finally coming into its own. The music of Chimères is exclusively Ondes, and should raise its profile even higher.'

THE QUIETUS (UK) - 'The vastness of space is evoked, inevitably, on swirling tracks like ‘Eclipse’, ‘Sirius’ and ‘Darkstar’ which are epic without being pompous. But ‘Mariposas’ also provides a delicate, pointillist interlude, and ‘Pulsar’ crackles and stutters like a techno track that’s been opened up and left with its guts hanging out.'

BAD TO THE BONE (FR) -"Chimères (pour Ondes Martenot) arrive à point nommé dans l’océan de redécouvertes des pionnières des musiques électroniques (Laurie Spiegel, Wendy Carlos, Eliane Radigue, Suzanne Ciani, etc) avec la latence tant attendue d’une sonde qui traverse les générations. Christine Ott, par l’originalité et la fougue de sa proposition, sa maîtrise incroyable de cet instrument d’outre-tombe, et par la recherche cosmique que dessinent les ondes qu’elle sculpte, dresse avec Chimères un paysage sonore fourmillant."

THE BROOKLYN RAIL (USA) 'Gorgeous, fascinating, and compelling sounds, the kind of avant-garde music making that can speak directly to a broad audience.'

BENZINE (FR) - "Une musique ni complexe ni hermétique (...) Un disque qui évoque autant Messiaen et Debussy que Stars Of The Lid ou Squarepusher."

THE SOUND NOT THE WORD (UK) - 'It is a haunting, evocative listen, that inherently recalls classic horror and sci-fi soundtracks; but also demonstrates Ott’s own talents as a modern classical composer and musician. Christine Ott has created an album of distinctive character, full of striking beauty and terror, the effects of which will linger long after the record has finished playing.

ROCKERILLA (IT) - 'Ci vuole maestria e conoscenza per usare questo antenato dei nostri synth, Christine Ott ne o la dimostra riuscendo a creare pura malia che sale dalle frequenze generate dagli oscillatori, capaci di transformare il nostro ascolto in un incantesimo cinematico.'





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Christine Ott Strasbourg, France

Pianist, Ondist, Composer
Also cooking with Snowdrops, Nahal Recordings, Theodore Wild Ride, Gizeh Records...
Past collaborations with Yann Tiersen, Tindersticks or Foudre!...


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